By Joan Wolf
"One betrayal must have been adequate …
Enchantingly wonderful Laura Dalwood used to be little greater than a lady whilst she used to be given in marriage to a guy whose glittering wealth hid a dismal mystery printed to her basically on her marriage ceremony evening.
Now her husband’s loss of life had freed her from that odious union – and Laura vowed by no means to make so grievous an mistakes back.
But how may possibly she reject the good-looking and very good Mark Cheny, Earl of Dartmouth, whilst his suggestion was once one who no younger lady of feel or sensibility may well rightly decline?
And what may possibly she do while, as his bride, he carried her over the edge to permit her to find simply how a lot she may possibly love a guy – after which, to her misery, simply how a lot may perhaps she worry him …
Joan Wolf is a united states this present day bestselling writer, whose acclaimed Regency romances have earned her nationwide reputation as a grasp of the style. Her many historic and modern romances were hugely praised by means of reviewers and authors alike. Publisher's Weekly reviewed considered one of her novels as ""historical fiction at its finest."" Joan used to be born in long island urban yet has lived such a lot of her existence in Connecticut together with her husband, little ones and various pets. An avid rider and horse proprietor, she enjoys that includes horses in her novels.
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Extra resources for A Double Deception (Regency Duo, Book 2)
Indeed, whether their poverty of interest be attributed to the prevalence of nationalist propaganda or some other cause, the revolutionary war novels with which I am familiar are mostly a poor lot, redeemed only by flashes of candor about the sordid motives and behavior of many partisans on both sides and by the gripping action sequences which American fictionalists from Cooper to Kenneth Roberts have always known how to bring off. Not until the conflict between the North and the South yielded fresh parallels with "the contest between the Loyalists and their opponents" did Scott's counterrevolutionary Jacobites find worthy heirs in the American historical romance.
How closely kindred are Cooper's American representatives of the forces of progress and reaction with the British ones in Waverley? Like Scott's Highland clansmen in hard practice and the Waverleys in romantic principle, Leatherstocking, Indian John, and Major Effingham all are veteran warriors who cleave anachronistically to the old heroic disciplines and values. In The Pioneers Cooper imagines, somewhat sketchily, an adventurous past for them, and in subsequent Leatherstocking tales, dealing with an earlier phase of frontier conflict, he relates scenes and actions worthy of Waverley's beloved Froissart and not unlike some that are witnessed by Scott's hero in the Highlands.
No wonder that William Gilmore Simms claimed that "the poet and romancer are only strong where the historian is weak" and that the "privileges of the romancer only begin where those of the historian cease. It is on neutral ground alone, that . . " 31 But to 26 The American Historical Romance accommodate them is not to iron out the wrinkle they make in the novelistic fabric. Calling a novel a "historical romance" is therefore to direct attention to its extraordinarily rich, mixed, and even contradictory or oxymoronic character.