Antígona (Penguin Clásicos) by Sophocles

By Sophocles

Los mejores libros jamás escritos Antígona, hija del rey Edipo, se debate entre ceñirse a l. a. ley impuesta o infringirla para honrar a su difunto hermano

Antígona está basada en el mito de los angeles mujer que se atrevió a enfrentarse a los hombres para lograr sus propósitos. En esencia, l. a. trama de los angeles obra plantea una reflexión sobre l. a. tiranía, las razones del estado y los dilemas de conciencia. Representada por primera vez en el año 442 a.C., Sófocles utilizó personajes arquetípicos para contraponer dos nociones opuestas del deber: el respeto a las normas religiosas frente a las civiles, caracterizadas unas por Antígona y las otras por Creonte.

Esta edición cuenta con l. a. traducción y el prólogo Luis Gil, profesor emérito en los angeles Universidad Complutense de Madrid. Incluye, además, el estudio en forma de epílogo realizado por los profesores de comunicación audiovisual de l. a. Universidad Pompeu Fabra Jordi Balló y Xavier Pérez.

«Y ¿qué derecho divino he transgredido? Mas ¿por qué he de poner, desdichada de mí, mi vista aún en los dioses? ¿A qué aliado puedo invocar?»

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Extra resources for Antígona (Penguin Clásicos)

Sample text

With his head bent, and his big feet 1 ‘my husband is deserting me? He is going to get himself killed. ’ Chapter 3 11 spread apart, he began explaining his reasons for thinking the abbé’s plan chimerical. ‘We will talk of it later,’ said Anna Pavlovna with a smile. And having got rid of this young man who did not know how to behave, she resumed her duties as hostess and continued to listen and watch, ready to help at any point where the conversation might happen to flag. As the foreman of a spinning-mill when he has set the hands to work, goes round and notices, here a spindle that has stopped or there one that creaks or makes more noise than it should, and hastens to check the machine or set it in proper motion, so Anna Pavlovna moved about her drawing-room, approaching now a silent, now a too noisy group, and by a word or slight rearrangement kept the conversational machine in steady, proper and regular motion.

What? Revolution and regicide a grand thing?  .  . ’ repeated Anna Pavlovna. ‘Contrat social,’2* said the vicomte with a tolerant smile. ’ ‘Yes: ideas of robbery, murder, and regicide,’ again interjected an ironical voice. ‘Those were extremes, no doubt, but they are not what is most important. ’ ‘Liberty and Equality,’ said the vicomte contemptuously, as if at last deciding seriously to prove to this youth how foolish his words were, ‘—high-sounding words which have long been discredited.  . ’ 22 Book One · Part One not love Liberty and Equality?

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