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"A consistent trust turns out to provide lifestyles to Kohan's theoretical paintings and philosophical perform. A supposition that you possibly can by no means end up, or disprove, motivates Kohan's ceaseless erring and essaying, his efforts to invent tuition. We learn it in-between the strains of the vast majority of his released paintings, and those that have had the opportunity to participate in his demeanour of philosophical askēsis think it in his perform.
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B something becomes a social epidemic. C people become concerned about social epidemics. 2 The speaker says that, in her opinion, the book A presents some challenging conclusions. B is less complex than it may appear. C uses terminology that may confuse readers. Extract Two You hear a reporter on a radio programme talking as he climbs a big rock. 3 One question the speaker asks himself is A why he feels the way he does. B where his climbing partner has gone. C what has motivated him to climb the rock.
A deserved b unreasonable e ambiguous 4 If you are 'voracious' for something, you a are sceptical about it. b want a great deal of it. e do not receive as much of it as you should. 3 What does the writer say about becoming a professional sportsman? a People should be better prepared for it. b It has different repercussions in different sports. e It has certain implications in every sport. 4* What does the writer say about Rugby Union becoming a professional sport? a It has required rapid changes in attitude.
A something that writers seldom say about them D b the amount of preparation required of writers before reading from their work D D D c a misunderstanding writers have concerning what is expected of them d questions of a kind that writers are happy to be asked e questions which are not about the writer's own work f that writers are repeatedly asked the same questions Question 8 D D Stop the recording at the end of the fourth extract. Which of the following does William say? a Writers are not as miserable as people think they are.