Charles Ashe Windham A Norfolk Soldier (1810-1870) by H. O. Mansfield

By H. O. Mansfield

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At school I dabbled in as many mediums as I could lay my hands on, including photography, painting, collage and sculpture. As my work progressed, I wanted to make sure I kept utilising as many of these interests as possible. ” Owen, who references tactile artists such as Anselm Kiefer and Cy Twombly, starts by creating a round of sketches and mock-ups of his intended piece so he can work through ideas and how he wants to assemble it. Although the piece will be based quite strongly on the sketches, Owen usually experiments still during the assembly stage, playing with the forms and composition.

Working from reference pictures does have its drawbacks, he says. “Some sitters would be insulted to have their own personal uniqueness edited, whereas others may expect flattery as a matter of course. ” “Lie. com) is commissioned to do a portrait, he works from a photo while first sketching on paper to study the composition. “Once I’m satisfied, I digitise the sketch and start retracing it,” he explains. “I put the source image in a layer and reduce the opacity to 50 per cent. This helps me to distinguish the lines from the image itself.

At school I dabbled in as many mediums as I could lay my hands on, including photography, painting, collage and sculpture. As my work progressed, I wanted to make sure I kept utilising as many of these interests as possible. ” Owen, who references tactile artists such as Anselm Kiefer and Cy Twombly, starts by creating a round of sketches and mock-ups of his intended piece so he can work through ideas and how he wants to assemble it. Although the piece will be based quite strongly on the sketches, Owen usually experiments still during the assembly stage, playing with the forms and composition.

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